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dc.contributor.author |
SEREIDI Amel, BADRAOUI Chaima |
|
dc.date.accessioned |
2022-10-04T09:31:53Z |
|
dc.date.available |
2022-10-04T09:31:53Z |
|
dc.date.issued |
2021-09 |
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dc.identifier.uri |
http://dspace.univ-guelma.dz/jspui/handle/123456789/12747 |
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dc.description.abstract |
Myths have been irrefutable source in both expressing and shaping the lives of individuals
and the working mechanism of societies. Many thinkers, writers and scholars have attempted
to question and deconstruct these myths to uncover the ideology beneath or behind them.
Margaret Atwood is among those who have not only used and decontextualized myths in their
novels, but also attempted to find alternatives by subverting and deconstructing previous
myths. The present study aims at exploring a contemporary literary work untitled The
Penelopiad (2005) written by the Canadian Margaret Atwood to lay bare her attempts to
rewrite male-oriented myths so as to subvert gender identities. The dissertation highlights the
alternative devices used in such process. By rewriting these myths, the author not only correct
the false stability of gender identities, but also paves the way for the creation of new myth
which would celebrate female identity and freedom. |
en_US |
dc.language.iso |
en |
en_US |
dc.subject |
myths, deconstructing, gender deconstruction, femininity, masculinity, The Penelopiad, Atwood |
en_US |
dc.title |
Deconstructing Gender Identities through Rewriting Myths in Margaret Atwood’s The Penelopiad |
en_US |
dc.type |
Working Paper |
en_US |
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